George Kotler-Wallace presents banjo-centered instrumentals, that explore the space between jazz, folk, and classical music, shaping sound into sonic stories.
Bill Taft writes and performs stories, songs, and sounds at the intersection of improvisation and pre-determined composition. Each performance journeys between the known and the unknown. A “finished” song lyric dissolves into extemporaneous spoken-word discoveries. Playing with different types of microphones adds another layer of experimentation and improvisation. He uses prepared-guitar techniques and alternate tunings to make the strange familiar and the familiar strange.
